15 Popular Songs In The Mixolydian Mode

songs-in-the-mixolydian-modeExploring musical modes offers a journey through the rich tapestry of sound that composers and songwriters weave. Among these, the Mixolydian mode, characterized by its major scale with a lowered seventh degree, stands out for its unique blend of major brightness and subtle bluesy undertones.

This mode has found its way into various genres, imbuing songs with a distinctively catchy yet complex quality.

Here’s a look at 15 popular songs that masterfully employ the Mixolydian mode, showcasing its versatility and emotional range.

#1 “Sweet Home Alabama” by Lynyrd Skynyrd

This classic rock anthem exemplifies the Mixolydian mode’s appeal. The song’s guitar riff in G Mixolydian sets a joyful, uplifting tone, making it one of rock’s most recognizable melodies.

#2 “Norwegian Wood” by The Beatles

The Beatles often experimented with non-traditional scales, and “Norwegian Wood” is a prime example. The sitar-infused track utilizes the Mixolydian mode to create its haunting, yet inviting, mood.

#3 “Marquee Moon” by Television

The title track of Television’s debut album is a masterclass in Mixolydian mode guitar work. Its extended solos and intricate melodies explore the mode’s full range, cementing the song’s place in punk and indie history.

#4 “Royals” by Lorde

Lorde’s breakout hit “Royals” uses a minimalist approach to highlight the song’s vocal melody, which flirts with the Mixolydian mode. This choice adds to the song’s critique of opulence, providing a stark yet catchy backdrop.

#5 “Gloria” by Them

Van Morrison’s garage rock classic with Them relies on the E Mixolydian mode for its raw, energetic sound. The mode’s bluesy feel complements Morrison’s vocal delivery, creating an enduring hit.

#6 “Loser” by Beck

Beck’s slacker anthem “Loser” combines folk, hip-hop, and rock elements, with the Mixolydian mode playing a key role in its quirky, eclectic sound. The mode’s versatility is on full display here, accommodating Beck’s wide-ranging musical influences.

#7 “Ramblin’ Man” by The Allman Brothers Band

“Ramblin’ Man” uses the G Mixolydian mode to achieve its laid-back, Southern rock vibe. The song’s memorable guitar solos and harmonies highlight the mode’s ability to convey a sense of wanderlust and freedom.

#8 “Fire on the Mountain” by Grateful Dead

A staple of the Grateful Dead’s live performances, “Fire on the Mountain” showcases the Mixolydian mode’s jam-friendly nature. The mode provides a loose, improvisational feel, perfect for the band’s psychedelic explorations.

#9 “What I Got” by Sublime

Sublime’s “What I Got” blends ska, reggae, and hip-hop, utilizing the D Mixolydian mode to stitch these genres together seamlessly. The mode’s relaxed feel is a perfect match for the song’s laid-back, positive message.

#10 “She Said, She Said” by The Beatles

Another Beatles track that makes effective use of the Mixolydian mode, “She Said, She Said” features a melody that captures the mode’s ethereal quality, set against a backdrop of philosophical lyrics and innovative production.

#11 “Dear Mr. Fantasy” by Traffic

“Dear Mr. Fantasy” uses the C Mixolydian mode to craft its bluesy, psychedelic sound. The mode’s flexibility allows the song to shift between moods, from reflective verses to the powerful, soulful chorus.

#12 “Jessica” by The Allman Brothers Band

An instrumental rock classic, “Jessica” highlights the Allman Brothers Band’s mastery of the Mixolydian mode. The song’s upbeat melody and improvisational guitar work create an atmosphere of joy and exhilaration.

#13 “Truckin'” by Grateful Dead

Grateful Dead’s “Truckin'” is an anthem of the counterculture movement, with its lyrics reflecting the band’s experiences on the road. The E Mixolydian mode underpins the song’s groove, contributing to its feel-good, rambling vibe.

#14 “Badge” by Cream

Written by Eric Clapton and George Harrison, “Badge” features a melody in the A Mixolydian mode. The mode’s warmth complements the song’s reflective lyrics and Clapton’s expressive guitar solos.

#15 “Cinnamon Girl” by Neil Young

Neil Young’s “Cinnamon Girl” combines a driving rhythm with a melody in the D Mixolydian mode, creating a sound that’s both raw and haunting. The mode’s bluesy undertones enhance the song’s emotional depth.


The Mixolydian mode’s unique blend of major scale brightness and bluesy flat seventh offers songwriters and composers a versatile tool for crafting memorable melodies and harmonies.

These 15 songs are just a glimpse into the mode’s potential to enrich musical expression, bridging genres and eras with its timeless appeal. Whether in rock anthems, indie gems, or psychedelic explorations, the Mixolydian mode continues to inspire creativity and innovation in music.

Frequently Asked Questions

How does the Mixolydian mode differ from the major scale, and what impact does this have on a song’s mood?

The Mixolydian mode differs from the major scale primarily due to its lowered seventh degree. While the major scale has a natural seventh, the Mixolydian mode’s seventh is flattened, which gives it a slightly bluesy, less resolved sound compared to the bright and conclusive feel of the major scale.

This subtle change impacts a song’s mood by adding a touch of melancholy or edginess, making the Mixolydian mode well-suited for conveying complex emotions and creating a more laid-back, groove-oriented vibe.

Can the Mixolydian mode be used in both major and minor key compositions, or is it restricted to one?

The Mixolydian mode is traditionally associated with major key compositions due to its major third, which gives it a fundamentally major quality. However, its versatile and somewhat ambiguous nature—thanks to the flattened seventh—allows it to be creatively incorporated into minor key compositions as well, especially in passages seeking to blur the lines between major and minor or add a unique color to the harmonic landscape.

Its use is not strictly restricted, offering composers and songwriters flexibility in exploring its expressive potential across different contexts.

What are some effective ways to incorporate the Mixolydian mode into songwriting or composition?

Incorporating the Mixolydian mode into songwriting or composition can be effectively achieved by starting with a chord progression or melody that emphasizes the mode’s characteristic flattened seventh degree. Songwriters can craft melodies that linger on or resolve to this note to highlight the mode’s unique flavor.

Additionally, using the Mixolydian mode over dominant seventh chords can reinforce its bluesy, unresolved quality, making it ideal for creating catchy hooks, vibrant solos, or adding a distinctive mood to a song’s chorus or bridge.

Are there specific genres where the Mixolydian mode is more commonly found, or is it universal across all types of music?

While the Mixolydian mode is universal and can be found across various types of music, it is particularly prevalent in genres that emphasize groove, improvisation, and a bluesy or folksy feel. Rock, blues, jazz, and folk music frequently employ the Mixolydian mode to exploit its laid-back, slightly unresolved character.

However, its versatility and expressive depth also make it a valuable tool in classical, pop, and world music, showcasing its broad appeal and ability to add a unique sonic dimension to compositions across the musical spectrum.

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