| Title | Lyrics | Source(s) |
|---|---|---|
| 1843 | ||
| The Sword and the Staff (A National Anthem) | George Pope Morris, 1802-1864 | 015/042@Levy |
| 1844 | ||
| A Fireside Song [circa 1844-1857] | H. F. Chorley | white1-37@UNC; Boston: Oliver Ditson, Plate No. 2110 |
| Chant des Pelerins, Op. 19 (Nocturne) | n/a | 1844-032920@LoC |
| La Amistad (Valse) [17 Sep] | n/a | 1844-032710@LoC |
| La Gondola (Souvenir de Venice) (Noctourne pour le Piano Forte) (Op. 18) [4 Sep] | n/a | 1844-032930@LoC |
| La Texiana (Waltz) | none | 014/049@Levy |
| La Victoria (Waltz) [17 Sep] | n/a | 1844-032610@LoC |
| La Zoe (Waltz) [17 Sep] | n/a | 1844-032510@LoC |
| 1845 | ||
| Flora (aka Flora Valse) (Valse Elégante) (circa 1845) | none | an7038102@NLA |
| Grand Valse de Concert, Op. 27 | n/a | 1845-050210@LoC; 1845-792120@LoC |
| Rondino on the Scotch Melody Bonnie Prince Charlie (circa 1845) | none | an13620744@NLA |
| Scenes That Are Brightest (Ballad) (from Act III of the Grand Opera Maritana) | Alfred Bunn, Esq. | 176/045@Levy; also at LoC |
| 'Tis the Harp in the Air (Romance) (from Act I of the Grand Opera Maritana) | Alfred Bunn, Esq. | 176/100@Levy; 1853-211240@LoC; 1853-720240@LoC |
| Yes, Let Me Like a Soldier Fall (Aria) (from Act II of the Grand Opera Maritana) | Edward Fitzball, 1792-1873 | pp. 77-82 from The Parlour Song Book |
| 1846 | ||
| Holy Mother Guide His Footsteps [21 Feb] [aka Sainted Mother] (from Act III of the Grand Opera Maritana) | Alfred Bunn, Esq. | 1846-790960@LoC arranged for the Spanish Guitar by N. Andrew Baldwin |
| Grande Fantasie et Variations sur la Cracovienne | n/a | 1846-071720@LoC |
| In Happy Moments [21 Feb] (from Act II of the Grand Opera Maritana) (arr. for the Spanish Guitar by N. Andrew Baldwin) | Alfred Bunn, Esq. | 1846-410530@LoC |
| Speak Gently | David Bates, 1809-1870 | 102/071@Levy |
| There Is a Flower That Bloometh [21 Feb] (from Act III of the Grand Opera Maritana); arranged for the Spanish Guitar by N. Andrew Baldwin | Alfred Bun, Esq. | 410540@LoC |
| 1847 | ||
| A Lowly Youth (Ballad) (SOLOS No. 22, from the Grand Opera Matilda, or the Maid of Hungary) [29 Apr] | Alfred Bunn, Esq. | 420990@LoC |
| Gone Is That Calmness (Ballad) (SOLOS No. 15, from the Grand Opera Matilda, or the Maid of Hungary) [21 Apr] | Alfred Bunn, Esq. | 420830@LoC |
| In That Devotion (Ballad) (SOLOS No. 24, from the Grand Opera Matilda, or the Maid of Hungary) [13 May] | Alfred Bunn, Esq. | 420940@LoC |
| Mary the Village Queen (Ballad) [n.d.: 1839-1851; circa 1847] | J. E. Carpenter, Esq. | ns5-32@UNC; Baltimore: F. D. Benteen, Plate No. 1351 |
| One Gentle Heart (Rondo Finale) (SOLOS No. 28, from the Grand Opera Matilda, or the Maid of Hungary) [14 Aug] | Alfred Bunn, Esq. | 420860@LoC; New York: Firth and Hall, Plate No. 4179 |
| She Comes in All Her Loveliness (Cavitina) (2nd Mvmt: Crown, the Sceptre & the Sway) (SOLOS No. 4 from the Grand Opera Matilda, or the Maid of Hungary) [8 May] | Alfred Bunn, Esq. | 42175@LoC; New York: Firth, Hall & Pond, Plate No. 4117 |
| Sleeping I Dreamed Love (Quartett) (adapted to the Romance La Réve) | Mrs. Mary E. Hewitt | 1847-430180@LoC; (arr. by John C. Scherpf) 1850-661540 |
| The False Friend | Thomas Hood | (arr. gtr) 1847-430750@LoC> |
| They Who Would Still Be Happy (Romance) (from SOLOS No. 16, from the Grand Opera Matilda, the Maid of Hungary) [14 Aug] | Alfred Bunn, Esq. | 420870@LoC |
| 1848 | ||
| Maritana Waltz [arr. Henry Chadwick] | none | 1848-081450@LoC |
| 1849 | ||
| 1850 | ||
| Echo's Song | Robert Stewart, Esq. | an13501825@NLA |
| Grande Polka de Concert | none | 1850-130450@LoC; 1850-661110@LoC; 1854-730130@LoC |
| I Have Never Been False to Thee (Ballad) [7 Nov] | George Pope Morris | 1850-480280@LoC; 1850-660430@LoC; [gtr arr. William Dressler] 1851-491450@LoC and 1851-680400@LoC |
| Innocence (Romance) | none | 1850-661700@LoC |
| Love's Minstrel (Song) [circa 1850s) | Wallace? | an6304275@NLA |
| The Gypsy Maid [aka The Gipsy Maid] (Romanza Espanola) [28 Dec] | Edward Fitzball | 1850-480480@LoC; 1850-660390@LoC |
| When O'er the Distant Eastern Hills (Hymn) | Henry C. Watson | 1852-511230@LoC; 1852-690040@LoC; [arr James G. Maeder] 1853-702050@LoC; [arr gtr William Dressler] 1852-510770 and 1852-691010 at LoC |
| 1851 | ||
| Alpine Melody, for the Piano Forte [15 May] | n/a | 150060@LoC |
| Auld Land Syne & Highland Laddie (No. 1 [of 6] from Gems of Scottish Melody Arranged for the Piano Forte) [26 May] | n/a | 670670@LoC |
| Bohemian Melody with Brilliant Variations [20 Oct] | n/a | 141820@LoC |
| Cradle Song | Alfred Tennyson, 1819-1898 | 490610, 490880, 670380, and 680480 all at LoC; [arr gtr] 1855-571100 and 1855-670390 at LoC |
| Go! Thou Restless Wind (Romance) {Ballad; in the German style] [27 Feb] | Charles Rosenberg | 1851-491770@LoC |
| I Mourn Thee, But I Love No More (Companion to Why Do I Weep for Thee) [8 Jul] | Desmond Ryan | 490750@LoC |
| Old Friendship's Smile (Ballad) [8 Jul] | Edward Fitzball, 1792-1873 | 1851-490740@LoC; New York: William Hall & Son, Plate No. 1210 |
| Searcher of Hearts (Thy Will Be Done) (Hymn) [15 Sep] | George Pope Morris, 1802-1864 | 1851-491300@LoC; New York: William Hall & Son, Plate No. 1264 |
| Softly Ye Night Winds (Ballad) | Mrs. Mary E. Hewitt | 1851-680760@LoC; [gtr. arr. by C. C. Converse] 1854-721780@LoC |
| The Exile to His Sister Ballad [26 May] [compare to gtr. arr. by William Dressler] | George Pope Morris, 1802-1864 | [1851-] 491480, 670470, and 680360 at LoC |
| The Flag of Our Union (A National Song) | George Pope Morris, 1802-1864 | [1851-] 670580, 680390, 491470; [1854-] 600770, 760920 all at LoC |
| The Star of Love (Serenade) | George Pope Morris, 1802-1864 | 1851-670490@LoC |
| The Village Maiden's Song (Woodland Sketches No. 1) | none | [1851-] 150130 and 680330 at LoC |
| The World's Fair Polka | none | [1851-] 151750, [arr. pno-4 hands, by William Dressler] 151740, and 670630 at LoC |
| There Is Darkness on the Mountain (Ballad) [1 Nov] | J. R. Planche | 491640@LoC |
| Why Do I Weep for Thee? (Ballad) | George Linley, 1798-1865 | (arr gtr William Dressler) 1851-491490@LoC; (arr William Dressler) 1851-670650@LoC; 042/139-140@Levy; [1859] 035/116@Levy; 094/189@Levy; 169/106@Levy; 120/129@Levy; [1870] 135/134@Levy |
| 1852 | ||
| Adieu Dear Native Land (Nocturne) [1 Nov] | Henry C. Watson | 1852-511140@LoC |
| Happy Birdling of the Forest (Bravura Song [Flute Obligato]) [14 Feb] | C. D. Stewart | 511210@LoC>/td> |
| Impromtu en forme d'Etude | none | 100003716@HSM/LoC |
| Jacob Gets the Mitten (Answer to Wait for the Wagon) | George Pope Morris, 1802-1864 | 1852-521060@LoC |
| La Grace (Trois Etudes de Salon No. 1) [c1851; 1 Apr 1852] | none | 1852-141870@LoC |
| Orange Flowers (Romance) | H. F. Chorley | [1852-]511240 & 690050@LoC |
| Song of the Exile (Serenata dell 'Esule) (Romance) | Count Pepoli; English translation by Henry C. Watson | 1852-690030@LoC |
| The Carrier Dove (A Lay of the Minstrel) (Ballad) [31 May] | George Pope Morris | [1852-]510130, 551700, and 691260@LoC |
| Thou Art Among the Few (Ballad) | J. R. Planche | 691990@LoC |
| 'Tis Pleasant to Be Young (Ballad) | J. W. Weatherbee | [1852-]510160, 692000; arr. for gtr. [1854-]551800 and 731130 all at LoC |
| 1853 | ||
| It Is the Happy Summer Time (Canzonet) | Henry C. Watson | 032/054@Levy |
| Joyful, Joyful Spring (Canzonet) | Henry C. Watson | William Vincent Wallace, 1812-1865 |
| La Force (Trois Etudes de Salon No. 3) [1 Aug] | none | 1853-531800@LoC |
| La Rapidite (Trois Etudes de Salon No. 2) [16 Apr] | none | 1853-202120@LoC |
| Le Dahlia (from Six Valses Elegantes, Fleurs Musicales No. 5) | none | 100003714@HSM/LoC |
| O! Thou Omnipotent (Sacred Song) [1 Aug] | Henry C. Watson | 1853-530850@LoC |
| Passed Away to Heaven (Ballad) | Anson G. Chester | William Vincent Wallace, 1812-1865 |
| Sisters of Mercy (Trio for Female Voices) [1 Oct] | Edward Fitzball | 540750@LoC |
| The Leaves Are Turning Red (Canzonet) [1 Oct] | Henry C. Watson | 540860@LoC |
| The Mother's Smile (Ballad) [25 Nov] | Mrs. Mary E. Hewitt | 541040@LoC |
| The Spring and Summer Both Are Past (Canzonet) [1 Oct] | Henry C. Watson | 540960@LoC |
| Wild Flowers (Ballad) | Delins | William Vincent Wallace, 1812-1865 |
| 1854 | ||
| Annie Dear, Good Bye! [19 Oct] | Edward Fitzball, 1792-1873 | William Vincent Wallace, 1812-1865 |
| Dreaming of Thee Forever (Ballad) [29 Aug] | Henry C. Watson | 551630@LoC |
| Juliet (Romanza) [24 May] | H. F. Chorley | 551450@LoC |
| Melodie Fading Away (Ballad) (Transcibed for the Piano Forte) | n/a | 760870@LoC |
| The Angler's Polka | none | William Vincent Wallace, 1812-1865 |
| The Winds That Waft My Sighs to Thee (Ballad) | H. W. Challis | William Vincent Wallace, 1812-1865 |
| Youth Is Life's Time of May | Anon. | 560250@LoC |
| 1855 | ||
| Good Night, and Pleasant Dreams (Tyrolien) [19 Sep] | Anson C. Chester | 571550@LoC |
| I Want a Wife; or, the Batcherlor's Invitation | Clarence Rawlings | Melody by William Vincent Wallace, 1812-1865; adapted by Charles Jarvis |
| Music Murmuring in the Trees (Ballad with Quartette or Chorus) [14 Apr] | Mrs. Mary E. Hewitt | William Vincent Wallace, 1812-1865 from Woodland Sketches No. 2; Adapted/Arranged by Charles Jarvis |
| Tell Me Some Fond Name (Ballad) | Mrs. Mary E. Hewitt | William Vincent Wallace, 1812-1865 from Woodland Sketches No. 1; Adapted/Arranged by Charles Jarvis |
| 1856 | ||
| Bring Me My Harp (Ballad) [1 Oct] | Edward Fitzball, 1792-1873 | William Vincent Wallace, 1812-1865 |
| El Nuevo Jaleo de Jerez (Danse Nationale) [9 Oct] | none | 30820@LoC |
| Florence Vane (Ballad) [22 Jan] | P. Pendleton Cooke | 600600@LoC |
| I Have Waited for Thy Coming (Ballad) | William Vincent Wallace, 1812-1865 | William Vincent Wallace, 1812-1865 |
| Immortal Love, Forever Full [aka We May Not Climb the Heavenly Steeps (Tune: Serenity. C.M. 8.6.8.6) [NOTE: based on Wallace's melody from his Ballad The Winds That Waft My Sighs to Thee (1854); Adapted by Uzziah Christopher Burnap (1834-1900), (1856) | John Greenleaf Whittier (1807-1892) from the poem Our Master in his book In The Panorama, and Other Poems (1856) | reprinted in The Methodist Hymnal(1932) and Book of Worship for United States Forces (1974) |
| Katie Strang (Scotch Ballad) | William Whiteman Fosdick, 1825-1862 | William Vincent Wallace, 1812-1865 |
| Nocturne (Reverie Musicale) [12 Feb] | none | 350980@LoC |
| 1857 | ||
| I Love and I Am Happy (Ballad) (Arranged for the Spanish Guitar by Charles Crozat Converse [1832-1918], from BALLADS Composed by Wm. Vincent Wallace, No. 3 of 12) [19 Mar] | anonymous | 631590@LoC |
| If Lov'd by Thee (Ballad) (Arranged for the Spanish Guitar by Charles Crozat Converse [1832-1918], from BALLADS Composed by Wm. Vincent Wallace, No. 8 of 12) [27 May] | anonymous | 610320@LoC |
| Merrily, Merrily Over the Sea (Barcarole) | Henry W. Challis | William Vincent Wallace, 1812-1865 |
| My Prairie Flower (Ballad) (Arranged for the Spanish Guitar by Charles Crozat Converse [1832-1918], from BALLADS Composed by Wm. Vincent Wallace, No. 5 of 12) [19 Apr] | anon. | 610390@LoC |
| One Parting Song, and Then Farewell! (Ballad) [2 Jan] | H. W. Challis | William Vincent Wallace, 1812-1865 |
| 1858 | ||
| Summer Night's Caress (Nocturne for the Piano) | none | 100003718@HSM/LoC |
| 1859 | ||
| Bright Star of Love Shine On (Serenade) | William Whiteman Fosdick, 1825-1862 | @Levy |
| Gondellied | none | 100003415@HSM/LoC |
| Sweet Spirit Hear My Prayer (from the Grand Romantic Opera Lurline) | Edward Fitzball, 1792-1873 | @Levy |
| The Bell-Ringer (Ballad) | J. Oxenford | an5636892@NLA |
| 1860 | ||
| 1861 | ||
| My Long Hair Is Braided (from the Grand Opera The Amber Witch) | H. F. Chorley | 131/046a@Levy |
| 1862 | ||
| 1863 | ||
| The Sleep of Joy (Song) | J. E. Carpenter | 131/108@Levy |
| The Sleep of Sorrow (Song) | J. E. Carpenter | 131/109@Levy |
| 1864 | ||
| 1865 | ||
| Bird of the Greenwood (Ritornelle) | Mrs. Felicia Dorethea Hemans, 1794-1835 | William Vincent Wallace, 1812-1865 [his last composition] |
| 1867 | ||
| The Wood Bird's Song [aka Woodbird's Song] (from PARLOR EDITION, The Vocal Gems of William Vincent Wallace's Romantic Opera The Desert Flower, No. 3) | Thomas J. Williams | 100009664@HSM/LoC |
| 1871 | ||
| Bird of the Wild Wing (Song) [music=Gone Is That Calmness, 1847)] [24 Nov] | Henry Farnie | 11171@LoC; New York: William Hall & Son, Plate No. 6598 |
| The Name Upon the Tree [same music, transposed, with minor variants, as Old Friendship's Smile (1851)] [8 Aug] | George Cooper, 1840-1927 | 1871-03083@LoC |
| 1872 | ||
| Only a Dream (Ballad) (from the Opera Matilda, or The Maid of Hungary) | George Cooper, 1840-1927 | William Vincent Wallace, 1812-1865 |
OPERAS | ||
| Year | Title | |
|---|---|---|
| 1845 | Maritana [Words by Alfred Bunn, Esq.]
for more info and a recording which you can buy go to here. | |
| 1847 | Matilda, or the Maid of Hungary [Words by Alfred Bunn, Esq.]
| |
| 1859 | Lurline [Words by Edward Fitzball, 1792-1873] [Opera in Three Acts]
ACT 1.
ACT 2.
ACT 3.
| |
| 1861 | The Amber Witch [Words by Henry F. Chorley] [Romantic Opera in Four Acts]
This list is what was published separately from the original score.
This [originaly unnumbered] list is from the original 381+ page piano/vocal score, as published by Cramer, Beale & Chappell of London. ACT I.
| |
| 1865 | The Desert Flower [posthumously published in 1867] [Words by Thomas J. Williams]
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